https://www.optimo.ch/typefaces_NEXT.html

Five years after the publishing of his seminal Stanley font family, Ludovic Balland’s new project is a ground-breaking design that confronts two typographic archetypes: constructivism and humanism. Designed at the intersection of this historical antagonism, NEXT challenges the genres and offers a visionary aesthetic. NEXT was initiated in 2007 for the visual communication of the Museum of Modern Art in Warsaw, inspired by the typeface designed by Marek Sigmund for the Ministry of Transportation in Poland. For ten years, Ludovic Balland continuously pursued his research and tested it through numerous editorial projects, most recently the retrospective Michel Parmentier and the Documenta 14 readers.

https://www.myfonts.com/fonts/letritas/chucara-next/

Chucara next is the newest font designed by Juan Pablo De Gregorio, a typeface aimed at high readability when set in paragraphs or large chunks of text. Its predecessor "Chúcara", born in 2003, sought after increasing readability by achieving big and simple counterforms. This time around Juan Pablo went further by increasing the X-height and trimming both ascenders and descenders, thus the font appears to be much larger than it is and can be readable at smaller sizes.

https://www.myfonts.com/fonts/pepper-type/alethia-next/

Alethia Next is a grotesque sans-serif typeface with high contrast in all weights. It has been designed to serve as a display typeface in various editorial projects, such as magazines or corporate brochures, as a sans-serif pair to serif types of modern style. Alethia Next comes in 7 weights + matching italics and upright italics, each supporting numerous Latin-based languages as well as major Cyrillic languages including Bulgarian local forms. It is packed with OpenType features like ligatures, small caps, and numerous alternatives.

https://www.myfonts.com/fonts/linotype/praxis-next/

Praxis® Next has the same robust shapes and proportions as the original 1976 Praxis design. Its large x-height, substantial counters and open apertures guarantee high levels of legibility and reading ease in print and on screen. More weights, condensed designs and true cursive italics differentiate Praxis Next from the older design.